Sister Furong's Spectacular Emergence Marks the Complete Bankruptcy of the Rules and Patterns of Modernist Elite Culture

Although so-called beauty writers like Muzi Mei leveraging so-called bodies to gain fame was already seen as heretical, this was still merely a product of modernist elite cultural rules and patterns, still undeniably bearing the brand of elitism. When the postmodern Sister Furong made her spectacular emergence, she instantly became a declaration marking the complete bankruptcy of modernist elite culture's rules and patterns. Sister Furong's appearance has landmark significance in cultural history.

From an elitist standpoint, what does Sister Furong have? Her appearance has nothing to do with beauty. Her dance moves are extremely awkward. Her self-love is absurdist. Every factor that should prevent someone from going viral exists in Sister Furong. But the failure of elitist logic precisely proves that elitist logic is not something with divine properties -- it's merely a man-made, ideological lie.

Culture begins growing where old logic is broken. New logic gives rise to new culture. No logic is ordained by heaven. Logic is merely a man-made game. In mathematics, logic is just a specific mathematical structure, related to something called a "lattice." Similarly, the logic of history and the logic of culture are merely modernist structures, and any structure faces the fate of being deconstructed. History continues through deconstruction.

Regardless of how long the Sister Furong craze may last, Sister Furong's landmark significance has already been historicized. When you cheer, clamor, scream, curse, vomit, or remain indifferent toward Sister Furong, you are participating in this new historical construction. History has always been historicized amid contradiction, incomprehension, and chaos. History is thus created. This is all of history.